The Notion of Cycles
Oil and Gold Leaf on Birch Roundel
The artists who have most influenced Joshua Hogan are ones who, as he says, “express the feeling of something, more than just paint on a surface.” These artists – Turner, Gorky, and Monet – have a soft presence in his paintings. In spite of these recognizable influences, Hogan’s aesthetic slips away from any single stylistic bracket. His paintings have relics from various movements – but, his reality is most akin to the Surrealists. Hogan’s shapes are a complex web of random exchanges that lie in the unconscious and its disruptive disconnection of signified relations. Hogan places the shapes he has gathered from around the world and creates a metaphor for the way that all things are related. His paintings invoke concealed connections; they tie together things that are unlikely and distant. As if you are flying over the 3rd story, or the rooftop, or higher, Hogan’s paintings show a vantage point where, when you look down, everything is rendered into incredible abstraction and we are all the delicate shapes that float together on an earthen background.