Karen Antonelli: Doppelgänger I

Antonelli's Doppelgänger artworks shift her language toward doubling and misalignment. Repeated vertical divisions recall panels, walls, or grids, but they are misregistered and breached. Paper creases, ghosted textures, and embedded seams refuse clean repetition. The “double” here is not a mirror but a damaged echo, similar forms that fail to fully coincide. The prints hold evidence of prior states, making revision visible rather than concealed.