Of Gold, Of Light, Of Accolade
Oil and Gold Leaf on Birch Roundel
With a reality most akin to the Surrealists, Hogan’s painted shapes are a complex web of random exchanges that lie in the unconscious and its disruptive disconnection of signified relations. Some paintings begin with a personal feeling of disappointment but find resolution as the interaction of shapes find a sense of purpose. In other paintings, Hogan’s shapes can’t find resolution. Patterns interfere and cause delay in the ability to get attention or gain acceptance. The atmospheric shifts of color in his paintings introduce a new spectrum to the visible world and describe what it might look like to see through this world.